Folk art is a fascinating subject: how people of different cultures see themselves and their world in different ways - and yet with a good deal of similarity.
The folk art of Madhubani in North Bihar has been practised for generations by the womenfolk in painting the walls of their humble dwellings at times of seasonal festivities. But it is only in the last fifty or sixty years that Madhubani art has broken out of its regional limits and has come to be accepted all over India and the world as a most interesting art form.
Even today, it is the women who mostly do the paintings - now done on handmade paper for easy access by all - poring over their work for days, first with the rough outline and then filling in all the imagined images of gods and goddesses that populate their belief systems.
The folk art of Madhubani in North Bihar has been practised for generations by the womenfolk in painting the walls of their humble dwellings at times of seasonal festivities. But it is only in the last fifty or sixty years that Madhubani art has broken out of its regional limits and has come to be accepted all over India and the world as a most interesting art form.
Even today, it is the women who mostly do the paintings - now done on handmade paper for easy access by all - poring over their work for days, first with the rough outline and then filling in all the imagined images of gods and goddesses that populate their belief systems.
Vibrant primary colours of blue, red, yellow mark out the Madhubani paintings as do the detailed ornamentation of their favourite, Lord Krishna, in his many moods, at times playing his flute, at times herding cows, with Radha, his consort, waiting in a bower of flowering plants or on a swing. In the midst of the stylization, there are different visualizations, different moods, that makes Madhubani paintings so interesting.
